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New and Recommended Music – Jan 24 2014 edition

Thus starts a new tradition.

I’m a devoted reader of Entertainment Weekly. It’s one of the few magazines I keep up with on a regular basis. I went a spell not getting it because I couldn’t keep up, but yippee! here I am a subscriber again. (Thanks, little bro!) Part of what I love is that it keeps me up-to-date on what’s happening in the larger media world, and the writers are smart, educated people with (largely) balanced opinions. As our household doesn’t have cable and I’m a stay-at-home mom, there aren’t a ton of fresh new ideas coming our way on a regular basis – and here’s where EWeekly comes in. I mean, they’re the ones that told me “Blurred Lines” was a song way back in October of 2013 (…and it turned out to be the “Song of the Summer” nine months later…). I showed my in-laws the video for “Thrift Shop” ages before Mackelmore & Ryan Lewis won their Grammys (though, admittedly, after my hipster brother-in-law knew about it).

Also, from a theological standpoint, I think it’s important to know what’s going on in the world. It’s where God has put us to thrive and exist for these few decades. If we can’t talk to anybody about what’s going on in the common world we inhabit, how will we reach non-believers? Besides, a lot of this is quality. God made music. It should be excellent. So I’m not saying the devil has all the best music, but a lot of the great stuff isn’t made by Christians or has anything to do with God… but it can still reflect his brilliance because it’s excellent. I believe heaven will be full of music, and maybe we’ll get to contribute to it, and maybe we’ll borrow hooks from Beyonce.

(With all that, I have to say, it’s not all going to be PG. The above link for “Thrift Shop” is the official video, and I believe in giving the original artists the traffic, but at the same time, Ryan Lewis’s channel doesn’t offer any edited videos. I’ll put warnings by the links to offensive content, and at times I could omit especially offensive ones altogether. But largely, it’ll come from Rdio sans video, and they do offer clean versions.)

And so, with a proper drumroll (meaning fingers on a bare wooden tabletop), from henceforth, I’ll be posting the weekly singles that EWeekly lists in their music section. Sometimes it’ll be a couple singles. Sometimes (like this week) it’ll be two pages of staff picks. They’ll be labeled with the date of the issue, and I encourage you to go check out the rest of what the magazine has to offer! I’ll also end with a personal selection each week. My tastes don’t always align with those of the pros, and I can’t even guarantee it’ll be within the last 5 years. But I promise you’ll always want to listen to that one… 😉

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“Staff Playlist: 15 New Songs We Love”

Broken Bells: “After the Disco”  —  It is, in fact, a modern disco. I could imagine it playing over the credits of “Breakfast Club.”

Burial: “Hiders”  —  So, the Rdio description says it’s their “most emotional and story-like output.” I appreciate the slow build (Imma sucka for that slow build), but then it veers off again. Wasn’t even sure when it changed to the next song. But I can see how story-like that could be within a larger album.

Angel Haze: “Deep Sea Diver”  —  I’ve liked other Angel Haze (as inappropriate as she is, this is my style). She sounds like Nicki Minaj, but less distinct or POW emphasis, with Lil Wayne’s dress style, and refrains like Sevyn Streeter.

MO: “Never Wanna Know”  —  The voice sounds like Lana del Ray to me, but with more range. Echoey vocals with a tambourine jam.

Stephen Malkmus & The Jicks: “Houston Hades”  —  His voice is clear and ironic. The sound is late 90s. It’s not entirely appropriate, but he’s having fun and you can tell.

Hospitality: “I Miss Your Bones”  —  One of my favorites on this list. It’s fun! The published description is “Peppy, dark, punky, jammy,” but it’s largely upbeat and fun.

James Vincent: “Cavalier” – Ambient, airy, beautiful voice. My favorite part is the end falsetto part – sounds like John Legend.

Phantogram: “Fall in Love”  —  I think you’d call this genre “shoe gazers”. I can’t actually speak to their live performance style, but it fits that Foster the People synthy upbeat faze.

St. Vincent: “Digital Witness”  —  Fun! Throwback kind of style to the early ’00s (my favorite era).

Sevyn Streeter: “Sex on the Ceiling”  —  Eh. It’s in my R&B genre, but I really like when you can hear the lyrics better. It’s a lot of way-up-there vocals. And I mean, the refrain is, “Baby we goin have sex on the ceiling.” Not deep or original or even sounds that great. I’ve heard Sevyn Streeter I do like, this just isn’t so much it.

Warpaint: “Love Is to Die”  —  Sounds a little like Metric – EWeekly calls it “liquid groove.” Ambient female voices.

Black Lips: “Boys in the Wood”  —  If you like the Black Lips… (which I do!)  It’s similar to White Stripes in that driving, pounding, certain lyrics.

Lou Reed: “Solsbury Hill”  —  Grungy and older. On an album with Bon Iver and Paul Simon, if that gives you an idea.

Dum Dum Girls: “Lost Boys and Girls Club”  —  Full electric and synth sound.

Mogwai: “Remurdered”  —  Orchestral synth metal.

New Singles

Shakira feat. Rihanna: “Can’t Remember to Forget You”  —  Shakira: calypso upbeat style. Rihanna: heavier guitar. Expect Shakira-typical voice lilts during the chorus. I like the mix of their different styles.

Neon Trees: “Sleeping with a Friend”  —  80s-tastic background, complete with hyper synth keyboard strokes. But mixed well so you can hear the modern lyrics.

Lucy Hale: “You Sound Good to Me”  —  Country, but I like it! Happy, solid beats. Like Shania mixed with Sara Bareilles.

Crumkunst’s Pick

Dangerous: “Big Data”  —  If you listen to XM’s AltNation, you know this one. We noticed it because my husband’s company works with data and they had joked about making it their theme song. But it’s just our kind of song. Fun, boppy beats, with a suspended bridge that exists just so it sounds even bigger at the end. Love when they do that.

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Horse and carriage and horse and…

Love and marriage are like a horse and carriage, amiright? I think what they’re saying in that song is that one follows the other: man and woman fall in love, ergo, they get married. But it’s not that straightforward. I propose that they’re cyclical. Not only does love lead into marriage, but being married creates a situation for love to grow deeper, fuller and more complex. Here’s a story to illustrate:

My husband and I, we met at 18, fell in love at 23, and married at 24. In between there, we lived a whole lot of life separate from each other. That’s not a bad thing – we brought a lot of variety in movies, music, experiences, food, etcetera to the lives we created together. But there were also things that, once we were together, still made us feel separated from each other.

Some of those things were still sneaking into our marriage, even though they were deeds long and dead. (Sin can outlive its sinfulness, morphing instead into guilt or blame, other sinful beasts in themselves.) But we were married. We both knew those lives were behind us, and only our lives together in front of us.

Then that “together” grew to include three. We found out we were pregnant on our six month anniversary, and welcomed Copper shortly after our year anniversary. Ladies… childbirth is rough! (Married men, pay attention, too.) I asked and asked those who had gone before what it was like, and they were all vague. I’m not here to be graphic, but in the hospital a day or two after our son’s birthday, I wondered how in the world single women do this. I needed help for everything. And at first, there were nurses. But very soon, it was just my husband, our tiny baby, and me at our house, and I still needed help. I strained too much during labor and couldn’t raise above absolutely flat or a stress headache would take me over. I had to check on stitches. I had to do Sitz baths three times daily for 20 minutes each, during which time I couldn’t do anything to help myself, let alone the poor newborn. All in all, I was pitiful and helpless.

And my husband was there, through it all. He helped me get to, from, and off the toilet. He got my Sitz baths ready and emptied them out. He made sure I ate, that dishes didn’t organize to overthrow us, that the household downstairs continued on. He drove me to and from endless checkups while I was prostrate in the passenger seat, or he let me lay in his lap in the waiting room. Ok, here’s a good one – he was there for the whole inglorious act of labor, wherein I was reduced to pure muscle and inhuman sounds, incapable of anything remotely resembling a lady – and thought it all glorious.

He loved me, through it all, by very clear actions.

While we were planning our wedding, my brother was overseas. He returned a few weeks before the ceremony, but I wanted his input, and it would have been too late by then. I emailed him, and he replied with a suggestion from his comrades at Capenwray where he was studying: a feet-washing ceremony. It visually represents the servant-like attitude Jesus taught and himself took on his last night.

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We did it to illustrate what we would, with God’s help, make our marriage, and we did it to remind ourselves of that if it got tough later on. And that was what Cody was living and breathing in that time after our baby was born. He was bending low, serving his wife and son, stooping lower than even I, constantly on my back.

It’s this what marriage is made of. It’s consistently bending low, not just for the big stuff like childbirth, but for the little things – cleaning the cat litter without fail since the day you let your wife get them. Making sure he goes to work with lunch, even if that means you get fruit and cottage cheese again. Getting up and going to your crying child in the middle of the gripping paragraph in your book so you can kiss it and make it better.

(My brother also pointed out the opportunity to practice servant-like love at its best when Copper was born: there is nothing that old-man looking infant can do for you for quite a long time, even if we count “make you feel loved” as a goal. They can’t even see you, folks. But meantime your entire life – and income – are poured into them. Do they recognize it? … do you remember thanking your parents?)

I realized over a year later that, when we were first married, I felt much more like two people who were married. Now, we are much more clearly one. When Genesis 2:24 says “they become one flesh,” maybe it’s not meant to be read as an instantaneous change. In some senses, of course, it is. But in others, it happens over time, through trials and tribulations that you face together, as one being and of one mind.

(And, as I’m saying this, it’s works both ways. I’m emphasizing the effect that serving has on the overall marriage, but when I talked to my husband about this, he thought he saw the most growth and change in himself. was served and felt its effect, but he served and through that, changed as a man and a husband and grew to love me more through serving me. Fiddler fans, what does Golde reply when Tevye asks if she loves him? … )

What I’m saying is that love grows so deep through selfless service, which is perfected in marriage. You don’t have to have kids to experience this (though I clearly think it accelerates it). But I really believe you have to be married. Without that dive, you’re holding back and waiting to make sure you’re not missing out on anyone else. It allows for an escape route in case cleaning up the other person’s mess gets too messy. But right here, in the midst of the wild abandon that marriage is, it lets us see how God was wild in his abandon for his love for us. We’re the bride Jesus came to serve. We’re the huddled masses, unable to help ourselves out of bed, and he comes and carries us. That’s what marriage it, and that’s what love is.

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Whenever possible, I’ll be recommending Tim Keller on all things Gospel-related. So here’s one for the topic at hand: The Meaning of Marriage